Some Go Home
(eAudiobook)

Book Cover
Published
HighBridge, 2020.
ISBN
9781696600040
Status
Available Online

More Details

Physical Description
9h 46m 0s
Format
eAudiobook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Odie Lindsey., Odie Lindsey|AUTHOR., & Wayne Mitchell|READER. (2020). Some Go Home . HighBridge.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Odie Lindsey, Odie Lindsey|AUTHOR and Wayne Mitchell|READER. 2020. Some Go Home. HighBridge.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Odie Lindsey, Odie Lindsey|AUTHOR and Wayne Mitchell|READER. Some Go Home HighBridge, 2020.

MLA Citation, 9th Edition (style guide)

Odie Lindsey, Odie Lindsey|AUTHOR, and Wayne Mitchell|READER. Some Go Home HighBridge, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDce535f38-a64a-d50f-a471-41a3d9198ce7-eng
Full titlesome go home
Authorlindsey odie
Grouping Categorybook
Last Update2024-06-07 16:05:49PM
Last Indexed2024-06-08 02:29:15AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 21, 2023
Last UsedMay 22, 2024

Hoopla Extract Information

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    [synopsis] => An Iraq War veteran turned small-town homemaker, Colleen works hard to keep her deployment behind her-until pregnancy brings her buried trauma to the surface. She hides her mounting anxiety from her husband, Derby, who is in turn preoccupied with the retrial of his father, Hare Hobbs, for a decades-old, civil rights-era murder. Colleen and Derby's community, including the descendants of the murder victim, still grapple with the fallout; corrections officer Doc and his wife, Jessica, have built their life in the shadow of this violent act.

As a media frenzy builds, questions of Hare's guilt-and of the townsfolks' potential complicity in the crime-only magnify the ever-present tensions of class and race, tied always to the land and who can call it their own. At the center of these lingering questions is Wallis House, an antebellum estate that has recently passed to new hands. A brick-and-mortar representation of a town trying to erase its past, Wallis House is both the jewel of a gentrifying 2010s Pitchlynn, and the scene of the 1964 murder itself. When fresh violence erupts on the property grounds, the battle between old Pitchlynn and new, between memorial site and moving on, forces a reckoning and irreparable loss.
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