Thinking Its Presence: Form, Race, and Subjectivity in Contemporary Asian American Poetry
(eBook)

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Published
Stanford University Press, 2013.
ISBN
9780804789097
Status
Available Online

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Format
eBook
Language
English

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APA Citation, 7th Edition (style guide)

Dorothy J. Wang., & Dorothy J. Wang|AUTHOR. (2013). Thinking Its Presence: Form, Race, and Subjectivity in Contemporary Asian American Poetry . Stanford University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Dorothy J. Wang and Dorothy J. Wang|AUTHOR. 2013. Thinking Its Presence: Form, Race, and Subjectivity in Contemporary Asian American Poetry. Stanford University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Dorothy J. Wang and Dorothy J. Wang|AUTHOR. Thinking Its Presence: Form, Race, and Subjectivity in Contemporary Asian American Poetry Stanford University Press, 2013.

MLA Citation, 9th Edition (style guide)

Dorothy J. Wang, and Dorothy J. Wang|AUTHOR. Thinking Its Presence: Form, Race, and Subjectivity in Contemporary Asian American Poetry Stanford University Press, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDc9aaf66b-9fc9-da6c-f5b7-ad476c4fef17-eng
Full titlethinking its presence form race and subjectivity in contemporary asian american poetry
Authorwang dorothy j
Grouping Categorybook
Last Update2024-05-15 20:01:03PM
Last Indexed2024-05-25 02:22:29AM

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First LoadedApr 20, 2024
Last UsedMay 24, 2024

Hoopla Extract Information

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    [synopsis] => When will American poetry and poetics stop viewing poetry by racialized persons as a secondary subject within the field? Dorothy J. Wang makes an impassioned case that now is the time. Thinking Its Presence calls for a radical rethinking of how American poetry is being read today, offering its own reading as a roadmap. While focusing on the work of five contemporary Asian American poets-Li-Young Lee, Marilyn Chin, John Yau, Mei-mei Berssenbrugge, and Pamela Lu-the book contends that aesthetic forms are inseparable from social, political, and historical contexts in the writing and reception of all poetry. Wang questions the tendency of critics and academics alike to occlude the role of race in their discussions of the American poetic tradition and casts a harsh light on the double standard they apply in reading poems by poets who are racial minorities. This is the first sustained study of the formal properties in Asian American poetry across a range of aesthetic styles, from traditional lyric to avant-garde. Wang argues with conviction that critics should read minority poetry with the same attention to language and form that they bring to their analyses of writing by white poets.
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